in 2016

WE DROPPED A SPOON IN STRASBOURG

to create the video MAPPING of

# Architectural Mapping

Strasbourg - France

LUMIERE INTEMPORELLE

ODYSEO-SolarImpulse-2

En partenariat avec ACT Light & Design qui était en charge de la production, de la lumière et des illuminations de la façade occidentale, Drop The Spoon a écrit, réalisé et créé le contenu du mapping video sur la façade sud, édition 2016, proposé chaque année sur la Cathédrale Notre Dame de Strasbourg.

DATE : 09 – 2016

CLIENT : Ville de Strasbourg

PRODUCTION : ACTLD

MAPPING CREATION :Drop The Spoon

LIGHT DESIGN : ACTLD

TECHNICAL SUPPLIER : ADC

MEDIA SERVER : VYV

MUSIC : Drop The Spoon & Musicom

TEASER/THE FULL CAPTATION OF

LUMIERE INTEMPORELLE

Edited by Pathé for the Cinema’s 3D Experience

THE IMAGE GALLERY OF

"ODYSEO"

show conditions with audience

creation and video sessions

facts and challenges

UN PEU DE TEXTE AVANT LOREM PROJECTION SETUP DRIVEN BY PHOTON
MEDIA SERVERS FROM 
VYV
WITH MOVING PROJECTORS AND MOVING SURFACES.
INCLUDING A REVOLUTIONARY MULTI-SEGMENT MOVING FLOOR.

OUR VERY FIRST ARCHITECTURAL MAPPING

After years working for live shows, our first architectural mapping was directly a high level challenge :
a complexe Cathedral mapping with 3D projection.
15 Graphics designers and animators were involved for 5 months on this new adventure.

FROM DRAWINGS to VR

Hundreds of drawings were created to study how to make the stones speak and make them tell their story.

SCAN 3D

3D Puppet  model was animated in motion capture and classic hand animation.

2D ANIMATIC

3D Puppet  model was animated in motion capture and classic hand animation.

3D ANIMATIC

With only 6 nights on site to finalise the show,

all the sequences had to be previewed and edited on the 3D model of the Cathedral.

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PREVIZ IN VR

For our 1st mapping we added a new tool to our workflow, all the renderings were previewed and analysed in VR.

8K UV Map

The Final Rendering required a complex 2D “Puzzle” in 8K containing the 3D surfaces.

8 Projectors on 3 different projection towers where used to cover all the volumes.

The final and more exciting step was to discover how the stones reacted to our content and our story.
With only 5 hours of darkness per night within less than a week on site, the whole team adapted, corrected and improved each of the scenes to offer the best and respectful result possible for this majestic monument.

concepts and renderings

souvenirs from backstage

MORE INFOs
ON THE OFFICIAL LIDO WEBSITE

MORE INFOS
ON THE DRAGONE WEBSITE

more about the technics of the show
and the projections in the press

DTS_cuillere-web_01
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