After having collaborated together on several Franco Dragone shows (Le Rêve, The House of Dancing Water, …), Giuliano Peparini, in charge of the staging of the new musical “1789, Les Amants de la Bastille” produced by Dove Attia & Albert Cohen, called on Patrick Neys to design the projection sets.
Patrick & a small team from the Dragone studio have recreated and evoked, in harmony with the scenic design of Bernard Arnould and the historical supervision of François Chouquet, different key places of France at the dawn of its biggest revolution.
Bernard Arnould and Giuliano Peparini, had concocted a complex but magnificent scenography consisting of movable panels, vast curtains and a large back wall, with video projection on all those surfaces.
The infinity of positions these mobile panels could take allowed the staging to travel from one location to another in a few moments, or to create parallel actions with the stage divided into several locations.
A beautiful production, a magical and so human creation. An incredible memory!